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February 5 – 15, 2009

 

European Film Market

Welcome to the new European Film Market website!

This year we have inaugurated our own dedicated site for the EFM, the first international film market of the year. Here we’ll be offering a number of on-line features for making your Market experience as convenient as possible. Visitors to this site will be able to get general news and practical information about the EFM and Berlinale Co-Production Market.
We’re looking forward to seeing you at the EFM 2009!

NEWS

Buyers List 2009 now online

The Buyers List for the EFM 2009 is now available online and will be updated regularly until the beginning of the EFM. Please note that the full version of the list is only available in the industry area of this site for EFM participants with a Market Badge or an EFM Screening Pass. more

Exhibitors List 2009 now online

The Exhibitors List for the EFM 2009 is now available online and will be updated regularly until the beginning of the EFM. Please note that the full version of the list is only available in the industry area of this site for registered EFM participants. more

EFM Registration DEADLINE December 15th

Please note that the application period ended December 15th, 2008. See EFM Registration for further details more

Online Film Entry DEADLINE December 22nd

The deadline for the receipt of film entry forms for the EFM 2009 has passed on Dec 22, 2008. In the Film Regulations you will find deadlines, prices and other important information.  more

Spotlight

Perspektive Deutsches Kino

When Dieter Kosslick became Director of the Berlinale, one of his stated goals was to increase the profile of German Cinema at the festival, and strengthen its awareness by the international audience. But it needed to be more than just a matter of making sure one or two more German films were in included in the Competition, and it was decided to create a new section specifically devoted to up-and-coming German filmmakers more

Industry Issue

Are We There Yet?

The first patent for synchronous sound was already filed in 1907, but it took the superstar power of Al Jolson starring in the Jazz Singer in 1927 to make the conversion to sound seem like a viable idea. And even then, it took another few years and a few different formats before we worked out the basis for the system we use today. Similarly, Sony was already demonstrating HD projection in Japan in the mid 80's. They’d even created a prototype pre-fab theater where the “movie” would be beamed from a 3/4" U-matic deck programed for automatic “reel” changes from one cassette to another more